Wintersong by S. Jae-Jones

Published by: St. Martin’s Press

Publication Date: February 7th 2017

Genre: YA Fantasy/Re-telling/Romance

Pages: 448 pages

Format: eGalley (Netgalley)

Rating: ★★★ 1/2 (3.5 Stars)

I’d like to thank St. Martin’s Press, S. Jae-Jones, and NetGalley for the eGalley of Wintersong in exchange for an honest review.

Beware the goblin men and the wares they sell.

All her life, nineteen-year-old Liesl has heard tales of the beautiful, mysterious Goblin King. He is the Lord of Mischief, the Ruler Underground, and the muse around which her music is composed. Yet, as Liesl helps shoulder the burden of running her family’s inn, her dreams of composition and childish fancies about the Goblin King must be set aside in favor of more practical concerns.

But when her sister Käthe is taken by the goblins, Liesl journeys to their realm to rescue her sister and return her to the world above. The Goblin King agrees to let Käthe go—for a price. The life of a maiden must be given to the land, in accordance with the old laws. A life for a life, he says. Without sacrifice, nothing good can grow. Without death, there can be no rebirth. In exchange for her sister’s freedom, Liesl offers her hand in marriage to the Goblin King. He accepts.

Down in the Underground, Liesl discovers that the Goblin King still inspires her—musically, physically, emotionally. Yet even as her talent blossoms, Liesl’s life is slowly fading away, the price she paid for becoming the Goblin King’s bride. As the two of them grow closer, they must learn just what it is they are each willing to sacrifice: her life, her music, or the end of the world.

Wintersong weaves the tale of Leisl, a young woman who has more than her fair share of duties in her home. Kathe’s father is a fallen musician who is mostly inebriated, Mother is more of a partner in running the household, younger sister is seen as the beauty, and younger brother is a musical prodigy. Leisl herself is musically talented, specifically in composition but has set that aside in favor of helping her brother perfect his craft and one day gain notoriety. Besides the fact that she is running the household, her gender is one of the reasons for which her father discourages her from taking interest/composing music. As young children both Leisl & her young brother Josef would play their music in the Goblin Grove for the Goblin King, a mysterious figure who played music with them. As time passed & Kathe’s responsibilities grew, the Goblin King was slowly forgotten. That is until Leisl’s sister is taken by the Goblins into the Underworld by order of the Goblin King. Leisl finds her way into the Underworld and strikes a bargain with the King to release her sister…A life for a life…she will remain in the Underworld & marry the King and he will let her sister return to the land of the living. Although it may seem harsh at first, Leisl’s “selfless” deed is a bit selfish. She is tired of being unseen , unheard, not beautiful, and cast aside in the shadows of her younger brother’s musical genius. What Leisl didn’t know, was that her sacrifice was much heavier than at first it seems. Leisl & the Goblin King reconnect through their love for music & soon enough a love for each other. As long as her passion shines bright, the Underground will sustain and the land of the living will see Spring instead of being thrust into a deep dark never ending winter…she is essentially it’s life force all while she physically fades away…

Our main protagonist Leisl isn’t your typical YA character & this was both a good and I wouldn’t say bad thing, but definitely someone to get used to lol. She is very much aware of her musical talent & oftentimes a bit of envy sneaks up when she is helping her brother Josef in composition. Josef is precise, he has been able to play the violin since the age of 5 while Kathe is wild passion and emotion in her composition. She also looks upon her younger sister’s beauty & is self-aware of what comes across as her own plain Jane appearance (nothing wrong with a plain Jane *winks*). Her sister is already betrothed to someone that Leisl also can’t stop herself from wanting for herself. It isn’t so hard for her to (at first) leave this life behind in favor of one where she is the center of the Goblin King’s attention & her musical abilities are praised. We get to see major character development with Leisl which I came to appreciate because it provided a better understanding of all her underlying emotions. Although her family were central to her story, they also weren’t the focus & were more in the background of the story. The Goblin King himself is actually perfectly suited for Leisl in many ways lol, he’s pretty arrogant and controlling which probably can be credited to being immortal & seeing many brides come and go. He’s also musically talented and although he comes off as having this jerk-like exterior, can actually be a decent guy…it’s a common trope, I know but it happens to work well in Wintersong. This is a a 448 page book and the author gives us full on character development & history. The Goblin King’s history is interesting and I can understand how his story and how he came to be the king of the Underworld, molded him into such a undesirable character. I wasn’t a fan of the Goblin King, particularly because of his selfishness which he fully owns up to. Also, certain parts regarding Leisl’s appearance & what he thought of her made me a bit squeamish. I appreciate however, that these characters weren’t your typical cookie cutter personalities found in YA. They were flawed & complex, which oftentimes led to me holding back judgement until I got more story. There were however, two characters that I ABSOLUTELY loved and couldn’t get enough of. Twig & Thistle are two Goblins who are tasked with the not so easy job of tending to Leisl’s needs & wants as Queen of the Underworld. Although all Goblins can’t be trusted, Twig came as close to a friend to Leisl as possible. Twig is the sweeter of the two Goblins. Thistle is Twigs opposite, sarcastic & not happy whatsoever with having to tend to Leisl. Twig is also very vocal about this and gets a kick out of withholding information from Leisl. Thistle’s mischief really added the Goblin touch & those scenes were very entertaining.

The writing in Wintersong is beautiful, atmospheric, lyrical, and dark which managed to keep me enthralled whenever I picked this book up. However, there were two things that I struggled with just a bit. This is a slow paced book which typically I don’t have any problems with, however it may just be the dark mood and setting that made this one feel a bit too slow. The second issue I had isn’t really one that bothered me too much but it did affect the reading experience a bit, the heavy use of Classical music terminology. Its been years since I took the basics of Classical music in college but that didn’t help me much here. Although one can easily say that it’s not necessary to be knowledgable of the subject, because it was such a focal point & the author used a lot of terminology…I did feel left out of the story on more than one occasion. I won’t however, take away from the writing because it is seriously some of the most beautiful writing I have come across. I also couldn’t stop diving back into this world which leads me to the excellent world building. The Underground came to life through vivid description, the author left nothing out down to the Goblin furniture. I loved the attention to detail that was given in creating this world & can honestly say it played out like a movie for me. I will most definitely keep an eye out for this author’s future works & recommend Wintersong for those who love great world building, Romance, Fantasy, lyrical writing, and especially those who enjoy Classical music/Composition 😉